In the third lecture of the four part series presented at the John F. Kennedy Center for the Performing Arts in Washington, D.C., on March 28, 1995, Billy Taylor discussed the evolution of swing, in rhythm and harmonic structure, and demonstrated this evolutionary process by playing examples at the piano.
How did swing relate to the popular song form of the 1930s and 1940s?
Was there any relationship between swing and Broadway musicals?
How did swing become bebop, and who contributed to this transition?
How did John Coltrane get interested in Richard Rogers songs?
How did Gershwin's approach to jazz change as his career progressed?
What is Bebop? (with example from Monk's "52nd Street Theme" and "'Round Midnight")
How is bebop influencing the artists of today's jazz, such as Wynton Marselis?
What kind of techniques did Art Tatum employ at the piano? (example in style of Art Tatum)
How did the transition from 78 rpm records to 33.3 rpm lp's affect jazz performances?
How is artistic expression in jazz different than in popular music?
Is improvisation unique to jazz--and is the ability to improvise a special talent?
What is the role of jazz education in professional jazz artists' background today?
How did vocalists fit into bebop's fast tempos and difficult harmonic structures?
Does stage setup affect interaction between jazz musicians during a performance?